
Joshua Davis (born 1971-06-13) is an American artist, designer, and technologist producing public and private works for companies, collectors, and institutions. Davis pioneered an original method of computational, generative-art known as Dynamic Abstraction: using a single set of illustrated designs, his rules-based algorithms assemble his illustrations into randomized compositions. In everyday terms, his art results in an unpredictability that seeks to discover the beautiful accident.
Joshua was the winner of the 2001 Prix Ars Electronica Golden Nica in the category "Net Excellence", the highest honor in international digital art and design. He also exhibits his work at new-media galleries such as Amsterdam’s Maxalot and Brooklyn’s Espies, and at major institutions like the Tate Modern, MoMA PS1, and the Smithsonian's Cooper-Hewitt. Davis recently created an exhibition, Accidental Assistant, for the Rovereto music and arts festival outside Milan, Italy.
2007 saw the rise of Joshua Davis as a force in home product and apparel design. Collaborating with Toronto-based, home-furnishings maker, Umbra, and apparel and stationary maker, Miquelrius, Davis’ collections are available at contemporary museum stores, such as the MoMA Store and now widely through Target.

Lana Crooks spent her formative years in South Florida before attending Savannah College of Art and Design where she earned herself a BFA in Illustration at twenty-two. One day, on a whim, she made an expedition to Chicago and made it her home, trading the ocean for a giant lake. She is now the captain of Crookedart LLC, a company based around freelance illustration, costume and set design for film, TV and retail window displays.
Plush became Lana's main focus in 2007 with her Octoplush series; a series based on her love of cephalopods. Her plushes are called “soft sculptures” and usually hang on the wall as art pieces. They are all lovingly hand-made and one-of-a-kind. Her work has been seen at Get Knifed Gallery, A.Okay Official, DVA, Rotofugi, and Gallery 1988 to name a few.

Eugene Good is a Milwaukee based artist, by way of Colorado and Chicago. A graphic designer by trade and artist by choice, he uses a multitude of mediums and canvases. While graphic design has taught him a sense of structure and balance, his art comes through depicting images of a messy mind. Deconstructing boundaries of daily stimulus and visual overload, reconstructing idiosyncratic chaos. He doesn't want the world; he just wants to wear hats.

Potts began drawing at a young age when his father brought home a drawing table and a "Learn How to Draw Cartoons" book. His early and most important influences were seeing his father's drawings, Saturday morning cartoons, video games, plush animals, comic books, t-shirts, toys,
and skateboarding.
His paintings are strongly based upon characters that he creates from observation of everyday social and personal occurrences. As an observer, he concerns himself with the internal uncertainties, apathies, and underlying thoughts and emotions of himself and others in daily life. His palette is bright, friendly, and childish-yet his characters are bold, and highly detailed.